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Saturday
August 19, 2006
Screening @ 8pm |
Love
Me, Love Me, Please Love Me! |
12:30
min |
|
Produced by Chin Man Lai
Directed by Che Ching Hin
A sensitive teenage boy realizes that he has hopelessly fallen
in love with the mother of his classmate. The infatuation
has become so intense that he has to control it by self-mutilation.
Meanwhile, he also learns that the woman’s young daughter,
i.e. his classmate, secretly admires him. What will the outcome
of this painful triangular relationship be?
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| Geocaching:
From the Web Into the Woods |
4:40
min |
Produced
by Jeff Orlowski
Directed by Jeff Orlowski and Tessa Banks
In 2000, the US Government opened up GPS technology to the
general public. That day, a man in Oregon hid something in
the woods and posted the GPS coordinates on the Internet.
Just a couple of days later, somebody found the cache and
that was the start of Geocaching. With nearly a quarter of
a million caches hidden around the world, Geocaching is a
hobby that can keep you busy. A Geocacher visits www.geocaching.com
to download GPS coordinates and hints to find a cache. Armed
with a GPS device, Geocachers go out in search for these little
treasures. This film explores this new hobby through the eyes
of three geocachers. |
|
| Impar
Par |
18:00
min |
|
Produced by Esmir Filho, Sarah Oliveira and Carolina Alcoragi
Directed by Esmir Filho
In the midst of feet that come and go, colors and violin
strings, the cobbler of a small village looks for the perfect
pair in a fable of love and shoes. |
|
| Made
in the Bronx |
10:20
min |
Directed
by Stephen Dypiangco
At Rocking The Boat, an after school program in the Bronx,
high school students learn how to build a boat using their
hands. This cinema verite documentary follows a group of students
through the boatbuilding process from the very moment they
learn to use the tools all the way to the boat’s completion
several months later. Along the way, the students not only
create something beautiful, but they also gain practical skills,
form new friendships, and have fun. |
|
| Light
Bulb |
2:06
min |
|
Directed by Jian Lee
'Light bulb' is about people who are attached to light bulbs
in different ways. The ways that they are attached, show their
perspectives of life. Each person shows how she or he can
be unenlightened about life, how painful life can be and do
not know a way to escape from it, how a person clings to life.
Finally, one woman who was inside a light bulb breaks and
escapes from the light bulb. Then she realizes the world is
full of ignorance and pain. She decides to turn the switch
off and everyone dies.
At the end, when people get electric shock, I want the audience
to get the feeling of release, freedom and enlightenment.
People turn into flower petals peacefully.
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| Saba |
15:00
min |
|
Directed by Gregório Graziosi and Thereza Menezes
A day in the life of two elderly people. |
|
| The
Drill |
15:00
min |
Produced
by Tina Fuchs
Directed by Joel Davenport
It is the late 1950's: The cold war is in full swing, school
desegregation is in its infancy, and the nuclear bomb looms
over every American's head. During a citywide defense drill,
three sixth-grade boys become increasingly worried as the
drill lasts longer than previous ones. Tommy doesn't accept
Leroy's (a little black boy) presence, and Bertram is desperate
to find out what's going on outside. An air raid siren unexpectedly
blares, and from the intercom, the principal orders everyone
to move into the hall. |
|
| The
People Who Live Under The Sea |
4:50
min |
|
Directed by Steven Lalonde
The retelling of a Haida myth, Nanasimgit and his Wife, offering
the viewer’s a new visual interpretation. It is a narrative
tale of one man’s love and dedication for his lost wife,
a man who searches the seabed and stops at nothing to find
her. |
|
| Perspective |
20:00
min |
|
Directed by Sam Day and Travis Hatfield
It's been two years but Danny still can't get her out of
his head. His mind filled with the memories of their life
together, Danny resolves to win Kat, the love of his life,
back.it soon proves easier said than done; Kat has a new boyfriend,
a new life, and her own memories of a relationship that was
less than perfect. Through a journey determination, denial,
and discovery, Danny searches for a way to put everything
right. What he finds, however, is nothing like what he expected... |
|
| Earthman |
9:40
min |
|
Produced by Philip and Taylor Freshley
Directed by Taylor Freshley
Earthman is born suddenly and awkwardly into a vast world
of seemingly endless potential; a phantasmagoria best described
as hyper-plastic, amorphous, and chaotic. This world, though
extraneous to Earthman, seems to be the sensory product of
his own limited nervous system. At the same time, it is alive
with entities and conditions that seem to function quite apart
and in spite of Earthman. Whatever the environment, the planet-headed
protagonist struggles to make sense of anything at all, as
he is bombarded by the fascinating and terrible manifestations
of nature, the sophisticated voracity of capitalist economy,
the whimsical and fatalistic riddles of time, and the horrible
reality of his own existence as but another pawn in the ancient
molecular quest to perpetuate deoxyribonucleic acid (DNA).
As he plunges toward inevitable death, or lies comfortably
in breezy green fields, his questions only lead to more questions,
and peace seems but a laughable pipedream. |
|
| Comrade
Daddy |
16:00
min |
Directed
by Noa Erenberg
Born in 1941 in Los Angeles to a well to do family, my father
became an ardent socialist in the 60's, immigrating to Israel
to Kibbutz Beit HaSheta. 40 years later, I observe how my
father quietly deals with the privatization of the Kibbutz:
retreating, disconnecting emotionally, and returning to the
values from his youth in America. |
|
| Beautiful
Eyes |
4:24
min |
|
Directed by Will Kim
“As he (Nathaniel) looked more keenly through the glass,
it seemed to him as if moist moonbeams were rising in Olympia's
eyes. “ – from ‘The Sandman’ by E.T.A.
Hoffmann 1817 The Filmmaker, Will Kim uses watercolor to explore
his desire, struggles, and self identity confusion based on
the German Romantic Novel, “The Sandman” by E.T.A.
Hoffmann. ‘Beautiful Eyes’ is originally scored
and sound edited by Kirin Kapin. Kim’s visual poetry
will guide the audience to his twisted and personal interpretations
of the novel. The main character, ‘Nathaniel’
starts his own journey of desire, memories of his childhood,
and the nightmare of the Sandman taking his eyes away, which
means death to Nathaniel when he looks at a wooden doll that
is sitting on a chair across from a window in his place. |
|
| Afloat |
5:00
min |
Directed
by Erin Hudson
From the intimate vantage point of a senior community swimming
pool, water and time suspend both body and memory. This film
travels underwater and above water to create a gentle meditation
on growing old, feeling young, and living life. Shot on 16mm
film in a bright and colorful swimming pool, Afloat vividly
captures elderly participants in a water exercise class. With
surreal images of underwater movement and
delightful swimming pool scenes, the stories told by these
swimmers become weightless and ageless memories. Afloat reminds
us that childhood and elder-hood are not all that different
and that the buoyant and playful feelings we have in the water
remain with us our entire life.
Ultimately, this film returns beauty, grace and dignity to
the reality of growing old. |
|
| In
the Tradition of my Family |
14:43
min |
Directed
by Todd Davis
In The Tradition of My Family is a gothic family saga. This
seemingly normal, middle-class family has a unique tradition.
When a son reaches his thirteenth birthday, his father wounds
him with a gun, honoring both the long-standing family tradition
and the boy, who is now a “new man.” The more
dangerous the shooting and the more ghastly the scar, the
more the recipient is honored by the family. That is, if he
actually survives his wound.
The film follows a young boy named Billy as he prepares for
and experiences his new man ritual. In The Tradition of My
Family examines what happens when these concepts of tradition
and honor are questioned and the effect on the father’s
relationship with his son. |
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